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Lazio Jersey 1973-74

Writer: Simon Basten
Simon Basten
May 21, 2023
4 min read

The 1973-74 season produced one of the most iconic shirts in the history of S.S. Lazio. Worn by Giorgio Chinaglia, Felice Pulici, Luciano Re Cecconi and their teammates during the club's historic first Serie A title triumph, it has become much more than a piece of football kit. It is the shirt that has come to symbolise the moment when Lazio finally became champions of Italy.


Source Football Kit Archive
Source Football Kit Archive

The club's technical supplier remained Tuttosport, a Rome-based company that had been responsible for Lazio's football products since the beginning of the 1970s. However, rather than producing all the shirts itself, Tuttosport commissioned different manufacturers to produce the team's match jerseys. During the 1973/74 season, two distinct versions of the traditional Lazio shirt appeared.


The first was produced by a Roman knitwear manufacturer and was essentially a continuation of the shirt worn during the previous campaign. It was characterised by a classic celeste body, a white V-neck and white cuffs or edging. The V-neck was less pronounced than the previous season's design and featured an internal fold, while the cuffs were slightly wider.

The second version was produced by Ennerre, the Pescara-based company that began its association with Lazio during the 1973/74 campaign. It was a particularly simple and elegant design, with a traditional celeste body and a V-neck and cuffs in celeste, each featuring a thin white stripe. The shirt was made from relatively lightweight cotton and had no side seams, while the shoulders were reinforced internally.


The Ennerre version represented a classic Italian football shirt design of the period. Its simplicity was typical of the era, when shirts were generally produced from straightforward materials and contained few of the elaborate details that would become common in later decades.


The match numbers were also characteristic of the period. They were made from a lightly textured plastic material and were sewn directly onto the fabric by machine. The numbers appeared in the colour contrasting with the shirt: white on the celeste home shirt and celeste on the white away shirt.


The shirts were not mass-produced in the way modern football jerseys are. The practical work involved in preparing the team's equipment was handled personally by the club's laundry staff, with the match numbers sewn onto the shirts by Gina Ciaschini, known affectionately as "Sora Gina", who was responsible for looking after Lazio's technical equipment.


Source Football Kit Archive
Source Football Kit Archive

The 1973/74 collection also included a white away shirt. It was essentially the negative image of the traditional home jersey, with a white body and celeste details around the neck and sleeves. The numbers were celeste, creating a direct visual connection with the first-choice shirt.


The white shirt was used on several away trips during the season, including matches against Verona, Sampdoria and Fiorentina. It was also worn at Napoli in the dramatic final away match of the season.


The choice of white shorts and white socks was consistent throughout the campaign. Lazio wore the same white shorts even when changing to the white away shirt, while the white socks completed a clean and traditional appearance. This was not entirely typical of Lazio's historical kit combinations, as the club had often used black or darker socks in earlier decades, but the all-white lower half complemented the celeste shirts particularly well.


One of the most interesting aspects of the 1973/74 season was the way in which the two home-shirt versions were used.


The older design, with the white collar and cuffs, was by far the most frequently worn. It was used during the opening weeks of the championship and continued to appear throughout much of the campaign.


The long-sleeved version of the same design was introduced for the cooler months. Lazio continued to wear it regularly through the winter, including a number of important matches.


The shirt with the white detailing therefore became the familiar image of the team for much of the season.


The Ennerre shirt appeared in official photographs during the summer training camp but did not become the team's primary shirt until later in the campaign.


Source Football Kit Archive
Source Football Kit Archive

The goalkeeper jersey was black made from wool, with a high, polo-style collar. The number 1 was made from the same lightly textured plastic material used on the outfield shirts and was sewn onto the jersey by Sora Gina.


The 1973/74 jersey has achieved a unique status in the club's history because of the timing of its greatest moment. It was not designed specifically to celebrate a championship, nor was it a special commemorative edition. It was a relatively simple football shirt produced in an era when kits were functional rather than heavily commercialised.


Yet history transformed it.


The shirt worn by Lazio on the afternoon of 12 May 1974 became the visual representation of the club's first Scudetto. The celeste colour, the understated white detailing and the simplicity of the design became inseparably associated with Chinaglia's penalty, Maestrelli's team and the extraordinary celebrations that followed.


The season also established a reference point for future Lazio shirts. The particular shade of celeste worn by the 1973/74 team became a benchmark against which subsequent generations of Lazio jerseys would inevitably be judged. Whenever the club introduced a new shirt, supporters could not help but compare it with the one worn by the team that had finally brought the Scudetto to Rome.


In this sense, the 1973/74 shirt became much more than sportswear.


It represented a team, a generation and a defining moment in Lazio's history. It was worn by players who would become legends and, most importantly, it was the shirt worn when Lazio achieved something that had never been done before.


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Lazio Stories is a blog about the Società Sportiva Lazio created by Dag Jenkins and Simon Basten. 

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